Skip to content
Mastering Colour Grading with LUTs: A Comprehensive Guide for Filmmakers visualisation

Mastering Colour Grading with LUTs: A Comprehensive Guide for Filmmakers

Learn how to effectively use LUTs for stunning colour grading in your films!

Image source: Master Cinematic Colour Grading with LUTs - Paul Handley Colourist

Colour Grading with LUTs: A Quick Guide

Image source: LUTs Explained | Types of LUTs | Lecture 34 | Colour Grading Tutorial

Colour Grading with LUTs: A Quick Guide

Image source: What is a LUT? Using LUTs to Color Grade PHOTOS & VIDEOS

A LUT (Look-Up Table) is a mathematically precise file that remaps the color values in your footage to new RGB values, acting like a color-grade preset or “spreadsheet” that tells every possible input color what it should look like output. In colour grading, you use LUTs either to convert flat Log footage to a standard display space (technical) or to impose a stylized cinematic look (creative). 1, 2, 3

Two main types of LUTs

TypePurposeCommon use case
Technical LUTTransforms one color space/gamut to anotherConvert Sony Log/Canon Log → Rec.709 or DCI-P3 for accurate viewing 2, 3
Creative LUTAdds a specific aesthetic lookFilm-stock emulation, high-contrast “bleach bypass,” teal-or-orange style 1, 2

*Left: desaturated Log profile; Right: same footage after applying a Log→Rec.709 technical LUT *

How to use LUTs in your colour-grading workflow

  1. Start with proper exposure and colour correction
    LUTs are not a magic wand—apply them after you’ve balanced exposure, white balance, and contrast on each shot. 3, 4

  2. Place technical LUTs early (or at the end)

    • If your LUT converts Log → Rec.709, put it at the beginning of your node/tree pipeline to normalize the image before grading. 5
    • Some pipelines use an intermediate color space first, then apply the display LUT at the end. 5
  3. Add creative LUTs as a starting look

    • Apply a creative LUT to establish a base look, then fine-tune with primary/secondary corrections. 4, 6
    • Adjust intensity/mix (often 30–70%) so the look feels natural, not overdone. 6
  4. Tune per shot
    A single LUT will never look perfect on every shot—adjust exposure, saturation, and hue individually after the LUT is applied. 2, 7

  5. Use in your editing/grading software
    Common tools: DaVinci Resolve, Adobe Premiere Pro, Final Cut Pro, Photoshop (for photos). 8, 1, 6

    • In Resolve: go to the Color page → LUT panel → import & apply to a node.
    • In Premiere: Effect ControlsColorLUT dropdown → Import Custom LUT.

*Resolve interface showing the LUT panel, color wheels, and waveforms *

Key limitations to remember

  • One LUT ≠ all shots: different lighting, cameras, and exposure require individual adjustments. 2
  • Don’t over-rely: LUTs save time and ensure consistency, but professional grading still needs manual tweaking. 7, 3
  • Quality matters: cheap bulk LUT packs often produce poor color; prefer LUTs from trusted professionals. 5

Do you want a step-by-step for applying LUTs in a specific software (e.g., DaVinci Resolve, Premiere Pro, or Final Cut)?

References